voina ii - cock in the ass

Alex Plutser-Sarno and Natalia Sokol have sent their answers from the secret flat, where they are hiding from the police. 
A.P-S: When the prominent curator Andrei Yerofeyev was accused of fomenting ethnic and religious hatred and "insulting human dignity" for organizing an exhibition and was brought to the court, the Voina art collective interrupted the case hearing by performing a new song All Cops are Bastards from the album Fuck the Police Those Motherfucking Bosses right into the courtroom. The idea was simple, the implementation – honest and uncompromising.

Goals and objectives of the Art-Group Vojna in the period 2008-2010.

1. Rebirth of heroical behavioral ideals of an artist-intellectual, in a manner of Russian libertarian decemberism. Creation of image of artist as romantic hero, who prevail over the evil. Creation of lively romantic models in today`s soulless commercial conceptual art.

2. Rebirth of lively expressive art, which is sincere and honest and provoking observers` deep emotional experience. Actualization of monumental expressive genres, where large scale harmonizes with totally rich in content orientation, in contrast to outdated hypertrophy of forms, which deovid of sense.

3. Creation of innovative topical art-language, which is producing for pure art, but not for a money. It is mean language, which is adequate for today’s cultural and socio-political context, which is can show actual of the new epoch, which have no analogues in the past. Creation of Russian national actual art, without outmodedness and provinciality, and which provokes admiration of intellectuals all over the world.

4. Rebirth of Russian laughing culture, traditions of absurdity and sarcasm in context of high art, that is Rebirth of lively merriment in the art-spaces. Creation of political street-art in Russia in the best traditions of skomorokh and carnival middle-age art.

5. Conceptual destruction of glamour timeserving and conformist Russian art-market, which is reproducing outdated forms of art, artificially falsifying processes of pricing of art-market and creating financial pyramid from devalued art-junk.

6. Creating of real left front of art in Russia in traditions of futurism of 1920 years, which is radically shift all ideological poles by the facts of its being. Rebirth of political protest art all over the world.

7. War with “werewolfes in straps” for the freedom of contemporary art. War with socio-political obscurantism and ultra-right reaction for the triumph of nano-modernization in Russia. Subversion and destruction of outdated repressive-patriarchal socio-political symbols and ideologies. Art-war against all global world for total triumph of justice in Art-Area.